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Josefa
RODRIGUEZ
Robbery
Trial and execution
Rodriguez was reportedly born December 30, 1799
in Mexico. She was a Mexican-American woman from the South Texas
town of San Patricio who furnished travelers with meals and a cot
on the porch of her lean-to on the Aransas River.
She was accused of robbing and murdering a
trader named John Savage with an axe. However, the $600 of gold
stolen from him was found down river, where Savage's body was
discovered in a burlap bag.
She and Juan Silvera (who was possibly her
illegitimate son) were indicted on circumstantial evidence and
tried before 14th District Court judge Benjamin F. Neal at San
Patricio. Although Rodriguez maintained her innocence, she refused
to testify in her defense and remained silent throughout the
trial, perhaps, some have speculated, to protect her guilty son.
Although the jury recommended mercy, Neal
ordered her executed. She was hanged from a mesquite tree on
Friday, November 13, 1863. She was 63 at the time of her death.
Her last words were quoted with being, "No soy culpable" (I am not
guilty).
At least one witness to the hanging claimed to
have heard a moan from the coffin, which was placed in an unmarked
grave. Her ghost is said to haunt San Patricio, especially when a
woman is to be executed. Rodriguez is depicted as a spectre with a
noose around her neck, riding through the mesquite trees or
wailing from the riverbottoms.
Cultural references
Chipita Rodriguez has become a folk legend, and
since the 1930s, there have been numerous alleged sightings of her
ghost along the Aransas River where she was hanged.
Rodriguez has been the subject of numerous
books and newspaper articles. Rachel Bluntzer Hebert’s epic-length
poem “Shadows on the Nueces” and Teresa Palomo Acosta’s poem
“Chipita” both portray Rodriguez as a heroine.
In 1993, the University of Texas music
department performed the opera, "Chipita Rodriguez", composed by
Texas A&M University-Corpus Christi professor Lawrence Weiner. In
2010 a screenplay was written by Del Mar College and Texas A&M
University-Corpus Christi student screenwriter Cary Cadena.
The day they
hanged Chipita
By Murphy Givens
- Viewpoints Editor
They came for her
in a wagon. She climbed up and sat on a box made of cypress planks
that had been nailed together that morning. The wagon was pulled
by oxen and people of the town walked behind. They were quiet --
the only noise was the creaking of the wagon.
They didn't have
far to go, less than 1,000 yards from the courthouse. The wagon
stopped under a mesquite by the river. The people watched as a new
hemp rope was placed around her neck. She was wearing a borrowed
dress and a woman in town had fixed her hair. She showed no sign
of fear. The people watched her, not talking.
That was Friday,
Nov. 13, 1863 -- the day they hanged Chipita Rodriguez in old San
Patricio. She had been tried, sentenced, and the sentence was
about to be carried out, but many believed her to be innocent.
There was plenty of room for reasonable doubt.
"Chipita" was a
nickname derived from Josefa. Her father Pedro Rodriguez, on the
wrong side of Santa Anna, brought her from Mexico. He joined Texas
forces and was killed in the fighting. She took up with a drifter
and bore him a son. He left her and took the boy -- so the story
goes.
She settled down
in a shack on the Aransas River and it became a stopping place for
travelers, where they could get a meal and sleep on the porch.
A horse trader
named John Savage stayed the night of Aug. 23. He disappeared. Two
servants from the Welder ranch, washing clothes in the river,
found his body in a burlap bag. His head had been split with an
axe.
Sheriff "Pole"
Means went to Chipita's. There was blood on her porch -- chicken
blood, she said. Chipita and her hired man, Juan Silvera, a
halfwit, were arrested. Chipita would say nothing. With prodding
by the sheriff, Juan said he helped Chipita dump the body in the
river.
The trial was
quick. The prosecutor was John S. Givens (no relation). The judge
was Benjamin F. Neal (he was the first mayor of Corpus Christi).
The trial was also irregular. Sheriff Means served on the grand
jury that indicted her. There was no jury panel for the trial --
people were rounded up off the streets. Four members of the jury
had been indicted for felonies, one for murder. The trial jury
foreman was a close associate of the sheriff's. The motive for the
killing was supposed to be robbery but the horse trader's $600 in
gold was found in his saddlebags, untouched. And Chipita would not
help in her own defense.
The trial lasted
the morning and the jury brought back a verdict by noon. Silvera
was found guilty of second-degree murder and she was found guilty
of first-degree murder. The jury urged clemency for Chipita, but
Judge Neal did not agree and ordered her to be hanged on Nov. 13.
The trial records
were burned in a fire in 1889. What little survived suggests the
evidence was not carefully considered. The case was
circumstantial, with no witnesses and no motive. Why Chipita would
not help in her defense is a mystery. The legend holds that she
saw the killer that night -- and recognized him as her long-lost
son.
It was a bad
day's work. It looks now like Chipita was found guilty based on
who she was, rather than what she did. Had she not been a
"Mexican" (the term used for her at the time), there would not
have been enough evidence to indict, much less convict. The Corpus
Christi paper, The Ranchero, expressed the sentiment: "Mexicans
should not have the same rights in this state as Americans." It
complimented the judge and jury for finding Chipita guilty and
said, "We are decidedly pleased with our neighbors in San
Patricio."
But in San
Patricio, they weren't much pleased with themselves. Prominent
citizens urged the sheriff not to carry out the sentence and, the
day before the hanging, he left town, leaving the hangman to do
the job alone. When he arrived, he tried to borrow a wagon, was
turned down, and was forced to confiscate it.
At the hanging
tree, there was a faint murmur when the wagon moved forward, the
rope jerked, and Chipita dropped, her feet inches from the ground.
The oxen moved so slow, and her body was so frail, that the fall
didn't break her neck. It took a long time for her to strangle to
death. A woman watching fainted. A young boy ran away, crying. A
man turned his back and said, "I've had enough of this."
The hangman cut
her down and buried her in the cypress coffin at the foot of a
mesquite and that ended the earthly existence of Chipita
Rodriguez. Her ghost, they say, lives on. So does the legend.
Sources:
Caller-Times Archives; The Ranchero, 1863; "Shadows on the Nueces"
by Rachel Bluntzer Hebert; Texas Parade article, September, 1962,
by Ruel McDaniel; "History of San Patricio County" by Keith
Guthrie; and "Legendary Ladies of Texas" by Marylyn Underwood.