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Jerry HARVEY
Background
Born in Bakersfield, California, a graduate
of the University of California, Los Angeles (UCLA), Harvey
first established himself within the film community by
programming the director's cut of Sam Peckinpah's The Wild
Bunch at the Beverly Canon Theater in 1974. Peckinpah
himself was in attendance. The film played that day to a sellout
crowd.
The very concept of "the director's cut" had
no commercial viability until Harvey demonstrated it with this
screening. After, as longer versions of such films as Touch
of Evil by Orson Welles began surfacing from studio vaults,
"director's cuts" became a staple of the Revival House theater-circuit.
(In the 1960s and '70s, before the rise of Home Video, "Revival
Houses" were the only way to see films as their makers intended.)
Harvey's passion for film won him great friendships with such
maverick filmmakers and master directors as Robert Altman, James
B. Harris, Monte Hellman, and such actors as Peter O'Toole. He
brought these relationships to bear on his work at Z Channel,
where he became director of programming in 1981. The films whose
director's cuts Harvey championed, using Z's as a showcase,
include: Michael Cimino's Heaven's Gate, The Ruling
Class with Peter O'Toole, Sergio Leone's Once Upon a Time
in America, Karel Reisz's The Loves of Isadora. John
Ford's Up the River, Bernardo Bertolucci's 1900,
Sam Peckinpah's The Wild Bunch and Pat Garrett & Billy
the Kid.
A 2004 documentary directed by Xan Cassavetes,
Z Channel: A Magnificent Obsession, detailed Harvey's
life and accomplishments. Altman and Harris attested to Harvey's
great sympathy and inspirational value as a champion of film.
Younger filmmakers such as Quentin Tarantino, and Jim Jarmusch
likewise acknowledged the influence of Z on their own work.
The film also chronicles a tragic history
with women. Harvey's two older sisters, Mary and Ann, committed
suicide in 1975 and 1978 respectively. These deaths, and the
inherent despairs which triggered them, haunted and afflicted
Harvey -- destroying two longtime love-relationships, first with
Doreen Ringer-Ross who lived with Harvey from 1973 to 1978, and
photographer-filmmaker Vera Anderson, who married Harvey shortly
after Ann's suicide in '78, and divorced him in 1984. Harvey's
second wife, Deri Rudulph (born December 21, 1949), married him
in February, 1986. They remained together until April 9, 1988,
when Harvey killed Rudulph with a pistol before turning the gun
on himself.
Z Channel
Z Channel, launched in 1974, was one of the
first Pay TV services in the U.S., and because it served Los
Angeles, filmmakers constituted most of its subscribers. The
channel enjoyed tremendous popularity and influence even before
Harvey took charge of its programming in 1981. Producer Charles
Joffe told filmmaker Xan Cassavetes that the primary strategic
reason Woody Allen's Annie Hall won the Academy Award in
1977 is because it had played so frequently on Z Channel during
the weeks the awards were being voted on.
Jerry Harvey's first significant coup came in
1982, when studio executive David Chasman alerted him that the
director's cut of Heaven's Gate (film), written and
directed by Michael Cimino, was lying fallow in a British vault.
Few had seen this version since its one week run in Manhattan,
in November 1980. (The film had been so viciously attacked that
it was generally believed, even by studio insiders, that
Cimino's original version had ceased to exist altogether.)
Harvey retrieved this one remaining print and gave it a highly
publicized "world premiere" on December 24, 1982. The success of
this airing was consequential. Cimino's version was shortly
released on home video, where it is now the only version
available.
Although Harvey saw to it that "Z" (as it was
affectionately known by its subscribers and devotees) kept
commercial pace with its rivals Home Box Office, Showtime and
The Movie Channel -- always showing the latest box office hits
-- Z's primary appeal to viewers lay in its devotion to films
that were passionate, and personal.