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By R. J. Brown -
Editor-in-Chief - HistoryBuff.com
The following is a transcript of
a news article published in several American newspapers dated June 30,
1950:
Columbus, Ohio -- Robert Dale
Segee, 21, Circleville, Ohio, has signed statements admitting he set the
Ringling Brothers circus fire in Hartford, Conn. that killed 168 persons
and injured 412 others. Henry J. Callan, Ohio fire marshal, made the
disclosure Friday.
Callan said that Segee also
admitted setting between 25 and 30 major fires in Portland, Maine
between 1939 and 1946, other fires in New Hampshire and Ohio and that he
is personally responsible for slaying four people.
Callan said that all of Segee's
statements had been carefully checked by his investigators since Segee
was taken into custody last May 17 on the farm of a relative near East
St. Louis, Ill.
A Pickaway county (Ohio) grand
jury Friday indicted Segee on two charges of arson, stemming from fires
in Circleville, Ohio.
Prepared Statement
Callan's prepared statement about
the Hartford fire said:
Segee was employed by the
Ringling Brothers and Barnum & Bailey Circus from June 30 to July 13,
1944. He joined the circus on June 30 at Portland, Maine and the day he
joined the circus there was a fire on tent ropes that was extinguished
without loss. The circus moved from Portland, Maine. to Providence,
Rhode Island and while there another small fire occurred on the tent
flap, which again was extinguished without loss. On July 6, 1944, at
Hartford, Connecticut, the major fire occurred, which took the lives of
168 people.
A thorough and comprehensive
investigation of the facts concerning Segee has disclosed, according to
his own admission, that he is responsible for that and other major fires,
places and dates of which were given.
Tells of Girl's Slaying
Callan said Segee said his first
slaying was a 9 year old girl, beaten to death with a stone during a fit
of anger. He identified the victim as Barbara Driscoll, 9, slain on a
river bank at Portsmouth, New Hampshire, September 5, 1938.
Other victims, identified by
Callan were:
A watchman who caught Segee
setting a fire in a warehouse in Portland, Maine, March 16, 1943; a 12
year old boy strangled to death on the beach at Cape Cottage, Maine in
1943 "to the best of his (Segee's) recollection" and a Japanese boy,
killed in Japan while Segee was in the United States occupation.
The last three victims listed by
Callan were not identified by name, but the fire marshal said all three
were actual slayings as shown by his and army investigations.
'Red Man' Haunted Suspected
Firebug
By Lynne Tuohy - The Hartford Courant
March 24, 1991
Robert Dale Segee grew up in New
Hampshire and Maine, a nervous boy taunted by siblings
and schoolmates and continually berated by a brutal
father who Segee said punished him by holding his
fingers over a flame.
His mother said he had bad dreams so often that he
was afraid to go to bed. As young as 9 or 10 years old, Segee would
sneak out of the house and roam the streets at night.
Ohio Deputy Fire Investigator R. Russell Smith went
to Maine and New Hampshire in May and June of 1950 to run a background
check on Segee. He determined from interviews with relatives and law
enforcement officials that in the years 1940 through 1946, there had
been 28 major fires and 40 minor ones within 10 blocks of the Segees'
home in Portland, Me.
Under interrogation in Ohio in June, 1950, Segee
admitted setting at least 25, perhaps 30 major fires in Portland between
1939 and 1946, the year he moved to Ohio.
Segee's sister, Dorothy Thompson, told Ohio
investigators that her brother as a young boy had set two fires inside
their home. Robert Segee had no juvenile criminal record.
The year before the Hartford circus fire, school
records show, Segee flunked all his sixth-grade subjects. His IQ that
year was judged to be 78.
Segee joined the circus on June 30, 1944, in Portland.
On that day a minor fire on the circus tent ropes was extinguished
without damage or injury. The circus went on to Providence, R.I., where
a tent flap mysteriously caught fire. That fire, too, was extinguished
without loss. What caused those fires was never determined. Segee
confessed to setting both of them in 1950.
The next stop for the circus was Hartford.
Segee told police and psychiatrists who questioned
him in Ohio in June, 1950, that he often set a fire after a frustrating
sexual encounter, and that he "wanted to burn out a lot of bad memories."
Although he almost always could recall striking the
match, Segee said, he often "blacked out" afterward. He would be
awakened by a nightmare "red man" with fangs, claws, fiery-red chest
hair and flames coming out of the top of his head. The vision is a
classic one for a chronic fire-setter, experts say.
Segee told Ohio authorities he had met and had "unsatisfactory"
relations with a girl near the Hartford circus grounds just before the
fire. He recalled, in his confession of June 26, 1950, that he returned
to the circus grounds just after the 2 p.m. performance began. Fire
engulfed the tent about 2:20 p.m.
"I was still nervous and upset, and as far as I know,
I thought I laid down and went to sleep and then there was the strike of
the match again, and then the red man came," Segee recalled.
The Hartford Circus Fire,
which occurred on July 6, 1944 in Hartford, Connecticut,
was one of the worst fire disasters in the history of
the United States. The fire occurred during an afternoon
performance of the Ringling Brothers and Barnum & Bailey
Circus that was attended by approximately 7,500 to 8,700
people.
History
The fire began as a small flame about
twenty minutes into the show, on the southwest sidewall
of the tent, while the Great Wallendas were on. Circus
Bandleader Merle Evans is said to be the person who
first spotted the flames, and immediately directed the
band to play The Stars and Stripes Forever, the
tune that traditionally signaled distress to all circus
personnel.
Ringmaster Fred Bradna urged the
audience not to panic and to leave in an orderly
fashion, but the power failed and he could not be heard.
Bradna and the ushers unsuccessfully tried to maintain
some order as the panicked crowd tried to flee the big
top.
Sources and investigators differ on
how many people were killed and injured. Various people
and organizations say it was 167, 168, or 169 persons (the
168 figure is usually based on official tallies that
included a collection of body parts that were listed as
a "victim") with official treated injury estimates
running over 700 people.
The number of actual injuries is
believed to be higher than those figures, since many
people were seen that day heading home in shock without
seeking treatment in the city. Only 100 of the dead were
older than 15.
The only animals in the big top at
the time were the big cats trained by May Kovar and
Joseph Walsh that had just finished performing when the
fire started. The big cats were herded through the
chutes leading from the performing cages to several cage
wagons, and were unharmed except for a few minor burns.
The cause of the fire remains
unproven. Investigators at the time believed it was
caused by a carelessly flicked cigarette but others
suspected an arsonist. Several years later while being
investigated on other arson charges, Robert Dale Segee,
who was an adolescent roustabout at the time, confessed
to starting the blaze. He was never tried for the crime
and later recanted his confession.
Because the big top tent had been
coated with 1,800 lb (816 kg) of paraffin and 6,000 US
gallons (23 m³) of gasoline (some sources say kerosene),
a common waterproofing method of the time, the flames
spread rapidly.
Many people were badly burned by the
melting paraffin, which rained down like napalm from the
roof. The fiery tent collapsed in about eight minutes
according to eyewitness survivors, trapping hundreds of
spectators beneath it.
The circus had been experiencing
shortages of personnel and equipment due to World War II.
Delays and malfunctions in the ordinarily smooth order
of the circus had become commonplace.
Two years earlier, on August 4, 1942,
a fire had broken out in the menagerie, killing a number
of animals. Circus personnel were concerned about the
1944 Hartford show for other reasons. Two shows had been
scheduled for July 5, but the first had to be cancelled
because the circus trains arrived late and could not set
up in time.
In circus superstition, missing a
show is considered extremely bad luck, and although the
July 5 evening show ran as planned, many circus
employees may have been on their guards, half-expecting
an emergency or catastrophe.
It is commonly believed that the
number of fatalities is higher than the estimates given,
due to poorly kept residency records in rural towns, and
the fact that some smaller remains were never identified
or claimed. It is also believed that the intense heat
from the fire combined with the accelerants in the
paraffin and gasoline could have burned people
completely, as in cremation, leaving no substantial
physical evidence behind.
Additionally, free tickets had been
handed out that day to many people in and around the
city, some of whom appeared to eyewitnesses and circus
employees to be drifters, who would never have been
reported missing by anyone if they were killed in the
disaster. The number of people in the audience that day
has never been established with certainty, but the
closest estimate is about 7,500 to 8,700.
While many people were burned to
death by the fire, many others died as a result of the
ensuing chaos. Though most spectators were able to
escape the fire, many people were caught up in the
hysteria and panicked.
Witnesses said some people simply ran
around in circles trying to find their loved ones,
rather than trying to escape the burning tent. Some
escaped but ran back inside to find family members.
Others stayed in their seats until it was too late,
assuming that the fire would be put out promptly, and
the show would continue.
Because at least two of the exits
were blocked, by the chutes used to bring the large
felines in and out of the tent, people trying to escape
could not bypass them. Some died from injuries sustained
after leaping from the tops of the bleachers in hopes
they could escape under the sides of the tent, though
that method of escape ended up saving more people than
it killed. Others died after being trampled by other
spectators, with some asphyxiating underneath the piles
of people who had fallen down over each other.
Most of the dead were found in piles,
some three bodies deep, at the most congested exits. A
small number of people were found alive at the bottoms
of these piles, protected by the bodies that were on top
of them when the burning big top ultimately fell down on
those still trapped beneath it.
The emotional toll on performers and
spectators should not be underestimated, and because of
a picture that appeared in several newspapers of sad
tramp clown Emmett Kelly holding a water bucket, the
event became known as "the day the clowns cried."
The
first investigation
On July 7, charges of involuntary
manslaughter were filed against five officials and
employees of Ringling Bros. Within days of these charges
being filed, the circus reached an agreement with
Hartford officials to accept full financial
responsibility and pay whatever amount the city
requested in damages.
This resulted in the circus paying
out almost US$5,000,000 to the 600 victims and families
who had filed claims against them by 1954. All circus
profits from the time of the fire until then had been
set aside to pay off these claims.
Although the circus accepted full
responsibility for the financial damages, they did not
accept responsibility for the disaster itself. The five
men charged were brought to trial in late 1944; four
were convicted.
Although they were given prison terms,
the four men found guilty were allowed to continue with
the circus to their next stop, in Sarasota, Florida, to
help the company set itself up again after the disaster.
Shortly after their convictions, they were pardoned
entirely.
Segee's
confession
In 1950, a Circleville, Ohio, man
named Robert D. Segee claimed he was responsible for
setting the Hartford Circus Fire. He said he had a
nightmare in which an Indian riding on a "flaming horse"
told him to set fires.
He further claimed that after this
nightmare his mind went blank, and that he did not come
out of this state until the circus fire had already been
set. It was said Segee fit the description of a serial
arsonist right out of a psychiatrist's textbook.
Segee also knew intimate details of
the incident, which some believed only the real arsonist
could have known. For instance, it was never made public
that the circus had two smaller fires of undetermined
origin prior to the tragedy. Segee admitted setting both
of them as well. These statements, Segee added, were in
response to a later dream he'd had of a woman standing
in flames urging him to confess.
In November 1950, Segee was convicted
in Ohio of unrelated arson charges and sentenced to more
than 40 years of prison time. However, Hartford
investigators raised doubts over this man's confession,
as he had a history of mental illness, and it could not
be proven he was anywhere within the state of
Connecticut when the fire occurred.
Connecticut officials were also not
allowed to question Segee, even though his alleged crime
had occurred in their state. Additionally, Segee, who
died in 1997, denied setting the fire, as late as 1994
during an interview. Because of this, many investigators,
historians, and victims believe the true arsonist—if it
had indeed been arson—was never found.
Little
Miss 1565
The most well-known victim of the
circus fire was a young, blonde girl wearing a brown
dress. She is known only as Little Miss 1565, named
after the number assigned to her body at the city's
makeshift morgue. Oddly well preserved even after her
death in the fire, her face has become arguably the most
well-known image of the fire. The Offspring mentioned
her in their 1989 song Jennifer Lost the War.
John & Mary wrote a song called "July 6" (included on
their 1990 CD "Victory Gardens") that was about her and
the whole tragedy.
Her true identity has been a topic of
debate and frustration in the Hartford area since the
fire first occurred. Despite massive amounts of
publicity and repeated displays of the famous photograph
in nationwide magazines, she was never claimed and
eventually was buried without a name in Hartford's
Northwood cemetery, where a victims' memorial also
stands.
In 1991, arson investigator Rick
Davey (along with co-writer Don Massey) published A
Matter of Degree: The Hartford Circus Fire and Mystery
of Little Miss 1565, in which he claims the girl's
name was Eleanor Emily Cook and that she was from
Massachusetts. Davey also contends that there was a
conspiracy within the judicial system to convict the
Ringling defendants, and that Segee was the arsonist.
Prior to writing the book, Davey spent six years
researching the case and conducting his own experiments
as to how the fire may have really started. He has
professed the original investigation was both flawed and
primitive, though he did not work on the original case.
Various assertions put forth in A
Matter of Degree have been fiercely disputed by
investigators who worked on the case, as well as by
other writers, most notably Stewart O'Nan, who published
The Circus Fire: A True Story of an American Tragedy
in 2001. O'Nan points to the fact that Little Miss 1565
had blonde hair, while Eleanor Cook was a brunette. The
shape of Little Miss 1565's face and that of Eleanor
Cook are dissimilar, and the height and age of the two
girls do not match up.
Perhaps most significant, when shown
a photograph of Little Miss 1565, Eleanor's mother
Mildred Corintha Parsons Cook immediately stated that
this was not her daughter. She firmly maintained that
stance until her death in 1997, age 91.
Badly injured in the fire, Mrs. Cook
had been unable to claim her two dead children, and was
too emotionally traumatized to pursue it later. She'd
been told that Eleanor was not in any of the locations
where bodies were kept for identification. She believed
that Eleanor was one of two children who had been burnt
beyond recognition and remain unidentified. O'Nan thinks
she may be Little Miss 1503. He further points to the
differences in the dental records of Eleanor Cook and
the records made of Little Miss 1565 after her death.
Due to the many supposed errors in
Davey's work, A Matter of Degree is considered by
some to be a work of revisionist history or journalistic
sensationalism, with some victims and reviewers accusing
Davey of using the book to further his own career and
notoriety.
As O'Nan and others have pointed out,
the most likely scenario is that a family claiming a
body early on mistakenly identified Eleanor Cook for
their own child and she is buried under that child's
name. Even when "Little Miss 1565's" picture ran in the
papers, they failed to recognize her as their own due to
their desire to put the traumatic event behind them.
While DNA analysis could end this debate definitively,
the logistics of exhuming all the likely candidates for
this mix-up rule this out.
With the questions over whether or
not Eleanor Cook is the true identity of Little Miss
1565 still unanswered in the eyes of many, the body was
exhumed after the release of A Matter of Degree
and buried in Southampton, Massachusetts, next to the
body of Edward Cook, the brother of Eleanor Cook and a
victim of the circus fire himself (another brother,
Donald, survived and worked with Davey to establish Miss
1565's identity).
In 1992, her death certificate was
officially changed from the previous identification of
"1565." Since then, the Cook family has raised questions
over whether or not the body is indeed that of Eleanor
Cook, and some investigators have come to believe that
Eleanor's body may have been another of the unclaimed
bodies from the fire and not Little Miss 1565. As of
2005, the Connecticut State Police Forensic Science Lab
is reviewing the case.
Hartford
and the circus today
While the circus was banned from
Hartford and other parts of Connecticut for years after
the Hartford fire, it began to make a comeback in the
1970s. Laws passed in Connecticut shortly after the fire
made it illegal for big tops to be used, so the Ringling
Bros. circus has traditionally been held in the Hartford
Civic Center when it visits the city.
While attendance has gotten stronger
over the past 3 decades, many people, especially those
who were alive when it happened, refuse to attend based
on what happened in 1944. Some people believe Ringling
Bros. should not be allowed to visit the city altogether,
citing what they view as insufficient sympathy and
assistance on the part of the company after the
disaster. For a time, Ringling Bros. trains passing
through Connecticut, on their way to other states, had
police escorts from the time they entered the state
until they exited it, but these measures are no longer
felt necessary.
Though many of those present at the
fire have not returned to circuses since then, others
have gone back. In May of 2004, Dorothy Carvey and her
son, Tighe, were given free passes for their family by
Ringling Bros. to attend a show at the Hartford Civic
Center. For Dorothy Carvey, this was her first time back
at a circus since the fire occurred. The story of their
visit, as well as what happened to them in 1944, was
written about in The Hartford Courant.
In 2002, the Hartford Circus Fire
Memorial Foundation was established to erect a
permanent memorial to the people killed in the fire.
Ground was broken for the monument on July 6, 2004, at
the site where the fire occurred.
Wikipedia.org
The Great Hartford Circus
Fire Background Information
An earlier fire
The article mentions the unusual
difficulties the circus faced because of shortages created by WWII.
These shortages took many forms. Engines needed to pull the trains
carrying the vast quantities of equipment, animals, and people of the
circus were in short supply. Key experienced personnel were off fighting
the war, and it was difficult to hire the large number of workers in
each town required to set up and take down the big top. Some of the
“little people” had been requisitioned by the war industry to work in
tight spaces on aircraft assembly lines. The circus was designed to run
like clockwork, and usually did, but during this period delays became
increasingly commonplace.
On Aug. 4, 1942, about two years
before the Hartford fire, the circus was playing Cleveland. Around 11:30
am, just before lunch, a fire broke out in the menagerie. As workers
rushed to the scene they could hear the elephants, tied to the ground by
stakes, trumpeting. The fire quickly spread as burning pieces of canvas
fell and ignited the straw and hay contained in the animals’ habitat.
Despite the smoke and flames, the
highly trained and disciplined elephants refused to move until their
trainer came. He and his men bravely entered the flaming compound, freed
the elephants from their shackles and directed them to tear their stakes
out of the ground, which they did. At his command, they marched out in a
line, each using his trunk to grab the tail of the elephant in front.
Some were so horribly burned that flesh hung from their bodies, yet they
left as directed and without stampeding.
Other animals made it out, but
many didn’t. Some escaped, but were so badly burned that they had to be
putdown. The camels and big cats took the worst of it. The final toll
consisted of four elephants, all thirteen camels, all nine zebras, five
lions, two tigers, two giraffes, two gnus, two white fallow deer, two
Ceylon donkeys, one axis deer, one puma, one chimpanzee and one ostrich.
There were no human fatalities,
but it was an omen of what was to come.
The Hartford fire
Two shows had been scheduled for
July 5, 1944, but the matinee had to be cancelled. The circus arrived
late and couldn’t be set up in time. Missing a show was considered to be
a bad omen in the superstitious world of the circus.
As the article points out, the
big top that was set up for the evening performance had been
waterproofed with a mixture of paraffin and gasoline. Incredibly, it had
required eighteen thousand pounds of paraffin and six thousand gallons
of gasoline to complete the job. The paraffin had been melted in
cauldrons and then thinned with the gasoline. It was then spread onto
the canvas with brooms.
Although setting up a performing
circus required numerous arrangements with the town of Hartford, none
ofthese involved the Hartford Fire Department. No inspections were
required or requested, and the Fire Department later would testify that
neither memory nor records gave any indication that protective measures
had ever been provided in the past.
The evening show went off without
a hitch. The highest applause was saved for the famous Wallendas high
wire act, while clowns that included Emmett Kelly, perhaps the most
famous clown the world has ever known, entertained the crowd and helped
them to forget the hardships and deprivations brought on by the war.
July 6, 1944 was hot and humid.
There was a good crowd for the matinee performance. Pictures taken that
day appear to indicate that some ushers, in an effort to make a few
extra dollars, had added extra chairs to manyrows. This could be done by
overlapping the legs of the chairs so a few more could be fit in and
then charging customers who wished to improve their seating arrangements.
The number of people in
attendance that day has never been established with certainty. At a
later commissioner’s hearing, the circus vice president presented an
attendance figure of 6,789 (a number that obviously ignores significant
figure rules). The head usher estimated that about 6,000 people were
present.
Some testified that the
performance was a sellout. Others said that there actually were sections
with half-empty rows. It is almost certainly safe to say that somewhere
between 4,000 and 10,000 people were at the performance that day. The
official capacity of the tent supposedly was 9,160, but more could
easily have been fit in. An accurate attendance figure will never be
known, but photographs taken that day and testimony fromeyewitnesses
seem to indicate that perhaps around 8,700 people had come to see the
show—about 5,500 in the grandstand and perhaps 3,200 in general
admission seats, called the “blues”.
The show started at 2:23 pm,
eight minutes late.
For the first warm-up act, a man
dressed in a lion suit ran out. He was quickly followed by a dozen girls
dressed in skimpy, by 1944 standards, “lion tamer” costumes. In a
reversal of roles, the “lion” produced a whip and proceeded to put the
“tamers” through some acrobatic tricks. It was a prelude to the real
lion tamer acts, of which two performed at the same time.
As soon as the big cats were done
performing, attention shifted to the famous Wallendas and their high
wire act.
The fire began on a sidewall
behind the southwest blues. It went unnoticed for a few seconds. As is
typical insuch situations, eyewitness accounts conflict. Some said it
was only about the size of a silver dollar. Others said it was the size
of a baseball or basketball, or larger. They disagreed on its shape. The
only thing upon which there was agreement was that initially it was
small and most people were not aware of its existence.
Numerous studies (including some
videotapes) of people’s reactions to the beginning of a natural disaster
such as a fire have shown conclusively that there is a strong tendency
to initially ignore the peril. People tend to continue to go about their
normal activities of the moment. They will often even look at the fire
yet somehow the obvious danger will fail to register. Perhaps most of us
can recall the horrible fire that took place at the Station nightclub in
West Warwick Rhode Island on Feb. 21, 2003 and the news footage showing
patrons still enjoying the band Great White and ignoring the growing
flames for several seconds after the fire begins to rage out of control.
One police detective testified,
“I remained silent, hoping that no one else would notice the flame
before it was extinguished, as I had no doubt that it would at that
time. I had every confidence it would be put out.”
Others noticed it as well. One
girl asked her mother if the tent was supposed to be on fire. One person,
returning to the bleachers after purchasing some refreshments, did yell
“fire,” but even then most of the spectators continued to watch the
Wallendas rather than respond to the growing threat.
The fire had started on a
sidewall, not the roof of the tent. The sidewalls of the big top were
not treated with the waterproofing, so they were not as flammable. Fire
buckets were kept under the stands in case a dropped cigarette should
ignite any grass under the seats.
Three ushers from the north side
cut behind the blues and grabbed the fire buckets. There were four
buckets, each filled with four gallons of water.
All four buckets were thrown at
the fire, but had no effect. The fire was at about eye level, perhaps a
yard wide and five feet high by that time. The ushers then tried to pull
down the sidewall.
It was too late. The flames had
reached the roof.
While some people began to try to
exit, many others still failed to react. Some thought it must be part of
the show. They were at a circus to enjoy themselves and be entertained.
They couldn’t immediately switch from that mood and anticipation and
grasp the reality that was about to engulf them. Others assumed that
some circus employee would certainly arrive to put out the fire so their
day of fun wouldn’t be spoiled.
The band had been playing a quiet
waltz as the Wallendas built their pyramid on the high wire. Now they
stopped, then switched to “The Stars and Stripes Forever.” Playing this
song was designed to alert circusemployees that a serious problem
existed. The Wallendas stopped their act and began to break down their
pyramid and exit. One of their bikes fell to the sawdust below.
By now the flames had reached the
roof and the horrible reality of what was happening set in.
During the fire at the Station in
Rhode Island, most of the people in the panicked crowd rushed to exit
the same way they entered, ignoring other exits towards the sides of the
stage. Psychologists tell us that this is typical behavior in a panic
situation. It is also usual for some people to become completely
individualistic and antisocial—an “every man for himself” reaction.
This behavior can then spread
through the crowd. People will often fight to get towards an exit chosen
by a few individuals, ignoring other, better options. And as happened in
the Station fire, many will run to try and exit the same way they came
in, often passing several easier exits along the way.
Many nearest the flames bolted.
The lucky ones were in the lower seats and made the choice to quickly
run towards the performer’s entrance. Those who hesitated were trampled
by panicked and terrified people coming down from higher seats. Some
tripped and got caught in the spaces between the seats only to be
crushed by the growing stampede. Others remained frozen, just sitting
there as if nothing was happening. Psychologists refer to this as
“collective disbelief.”
The fire reached the top of the
centerpole and then split in three different directions. The announcer
at center stage urged people not to panic and instead to leave in an
orderly manner, but he was silenced as the power went out.
For those near the top, the best
chance was to exit over the back. Some shimmied down poles. Some
children jumped into the arms of people outside who tried to catch them.
Some adults held the sidewall so children could slide down the wall like
a chute. As in many life-and-death situations of this type, there were
many stories of people pushing and attacking others so they could escape
and many stories of individuals bravely risking their own lives and
chances of escape to try and assist others who were weaker or for some
other reason unable to make it out by themselves.
The band continued to play the
“Stars and Stripes” over and over again. Ushers continued to urge people
not to panic. Many rushed children to safety and then returned to try
and save more, while some circus employees smashed people’s cameras,
trying to prevent photographs from being taken.
Some children who had escaped but
could not locate their parents rushed back into the fire.
Some of the big cats were still
in the chutes through which they exited after each performance. Panicked
people tried to exit over the top of the chutes. Some attendants tried
to stop them. Fathers urged their children to ignore the attendants and
continue. One woman fell and dropped a child, whose arm dangled into the
chute. His arm was clawed by a cat still in the chute.
The Wallendas headed for the
performer’s exit, but quickly realized that it was too crowded with
people. They climbed over a cage that lined the exit. Herman Wallenda
later stated that this was easy for them to do—they were performers. But
the general public was not capable of exiting that way.
The band continued to play.
The heated paraffin from the big
top not only burned, it also melted and rained on the people inside like
napalm, badly burning many.
As the top burned violently, it
was as if the people were inside a broiler. Most were not burned by
direct flames. Instead, they were literally cooked by the heat from the
flames above.
Many in the crowd soon began to
realize that they could never escape out the exits, so they ran back to
the top of the seats and jumped. The jump was only about 10-12 feet, but
that was sufficient to cause many injuries to both the jumpers and the
brave souls trying to catch them. Some slid down poles, tearing the skin
off their hands and arms. Some broke their ankles, and unable to move,
suffered more severe injuries as others jumped and landed on top of them.
Many escaped by simply squeezing
under the sidewalls, but in some spots the walls were tied down so
tightlythat that was impossible. Men and boys, some inside, some already
out, opened up small knives and tried to cut holes in the sidewall to
allow people to slip through.
The fire continued to rage and
the tent collapsed on those still trapped inside. Several survivors
stated that they would always be haunted by the horrible screams of the
animals inside being burned alive.
There were no animals inside.
They had all been led to safety.
The first signal box came in at
2:44 pm. Three Engine Companies and two Truck Companies rushed to the
scene. Soon more alarms sounded and more men and equipment sped towards
the fire.
Engine Company 7 arrived first,
but was blocked from getting as close as it wanted. They were forced to
lay about 1000 feet of hose from a hydrant in order to try and fight the
fire.
The scene inside was horrendous
beyond description. Oddly enough, some survived simply because they had
been the first to fall, and the mass of horribly burned bodies on top of
them had sufficiently shielded them from the flames to at least keep
them from dying on the spot.
In most fires, the most common
cause of death is asphyxiation. Victims are overcome by smoke. They
typically lapse into unconsciousness and subsequently breathe in
extremely hot air and/or poisonous gases produced by the fire. This
causes the release of large quantities of fluid into the person’s lungs.
Death is caused either byasphyxiation or drowning.
This didn’t happen in the circus
fire. The big top acted like a chimney, the hot gases exiting out the
top. Most victims burned to death. The intensity of the fire was so
great that many bodies were burned completely beyond recognition—mothers
holding children sometimes being literally fused together. In many cases
not even the victim’s gender could be determined.
Identifying the dead was a
horrible task. Bodies were taken to a local armory and separated into
male, female, and uncertain. Children constituted a separate group.
Friends and relatives lined up to try and identify the dead. Often
dental charts had to be
used. Gold melts at 1,945 oF (1,063 oC), and dental fillings even higher,
since they are an alloy.
The investigation
Early on, a circus representative
was publicly stating that nothing combustible had been used on the
circus big top, even though this was in conflict with reports published
in the press indicating that the top had actually been coated with
flammable waterproofing. Officials from Ringling Brothers stated that
the top actually had been treated with a fireproofing material, and
although it wasn’t fireproof, it was fire resistant. Robert Ringling was
quoted as saying, “Every test we put that through showed that it would
resist fire. A fire might endanger some of the equipment but would never
endanger human life.”
Later, as stated in the article,
the circus would maintain that they were unable to obtain adequate
fireproofing materials because they were needed for the war effort.
This position is open to serious
challenge. After the Cocoanut Grove fire in Boston, all decorations in
restaurants and nightclubs were required to be fireproof. Several
different materials had been sanctioned for this purpose and had passed
tests. At least two other circuses advertised that their big tops were
treated with fireproofing materials.
Former Ringling Bros. employees
working for these circuses testified that claims that appropriate
materials could not be obtained were false. Another circus had failed a
burn test the previous June and subsequently had spent $6,000 to
flameproof their main tent.
The circus remained closed for a
period of time. As the article points out, before they reopened, they
fireproofed their tents with Hooper Fire Chief fireproofing. It had been
invented in 1936, but evidently was not, in fact, made available to
civilians because of wartime priorities, although other materials were
available. The first show after the disastrous fire took place on Fri,
Aug. 4, 1944 in Akron, Ohio. The weather was terrible—cool and rainy,
and there were only about 2,000 people in the audience.
The final totals
The final death toll came to 167
people, 67 of them children under the age of 15. It was concluded that
nonedied from their crush injuries and none from asphyxiation. That may
not be completely true, but it does appears that almost all of the
victims had burned to death. The number of injured is not known with
accuracy. A figure of 487 injured is sometimes presented, but as the
article points out, the actual number is probably greater. Many people
simply walked or drove home rather than seek medical care.
Six bodies were never identified.
Three were children. One, called “Little Miss 1565,” had suffered some
burns to her face, but they were relatively minor, which would have made
her easily identifiable. Nevertheless, no one identified or claimed her.
Of course thousands of children
escaped unharmed, at least physically, and the article presents one of
their stories.
Lawsuits and settlements
Of course lawsuits were filed. In
Connecticut at that time, the maximum accidental death benefit was only
$15,000. The board who determined death benefits did not think that most
of the victims were worth that much. They devised a formula that
considered the age of the deceased, probable future earning power, and
especially for women, education and social responsibilities. Most
children were valued at $6,500. A sixty-nine year oldwoman was only
given $5,000, a seventy-five year old woman $5,000.
Those who were alive but terribly
injured received more. The largest award was $100,000. The circus took
years to pay the claims.
There were also criminal
indictments. Six circus defendants were charged with ten counts of
involuntary manslaughter. The lawyers representing the circus pleaded
“nolo contendere,” which means “no contest.” The defendant basically
accepts punishment for the charges but denies any responsibility. It
differs from a guilty plea in that it cannot be used against the
defendant in another course of action. The circus basically threw
themselves on the mercy of the court. Lawyers for the accused evidently
expected the judge to dismiss the charges. They argued that a long trial
would keep the defendants from being able to prepare the circus for the
following season.
The judge didn’t buy it. He found
all six defendants guilty. Ringling Bros. was fined $10,000. Sentences
for the convicted ranged from six months to 2-7 years.
The circus appealed, and later
the sentences were reduced. Five did go to prison for several months.
Upon their release they all immediately went back to work with the
circus.
The very last claim was paid in
1969.
Final comments
The circus did not return to
Hartford until 1975.
A mentally disturbed person,
Robert Dale Segee, was arrested six years after the fire occurred. He
confessed to setting several fires over the course of several years,
including the Hartford fire. At the time of the fire he would have been
only fourteen years old. He was sentenced to two terms of 2-20 years, to
run consecutively. He served his sentence and was released. Later he
maintained that he was innocent and had confessed, as he stated, “If you
was hassled as much as I was, you’d tell them anything to get them off
your back.” There remain a lot of conflicts surrounding both him and his
confession, with no clear proof in regard to his guilt or innocence.
The identity of “Little miss
1565” remained a mystery for many years. Rick Davey, a Hartford arson
investigator, became obsessed with solving the mystery. He continued the
investigation on his own time. In 1991 heconcluded that the girl was
Eleanor Cook. There had been three Cook children at the circus. The
youngest, Edward, had died in the fire. The oldest, Donald, had escaped.
The mother, Mildred Cook, had been told thatEleanor’s body was not at
the morgue or armory. The body was “identified” as Eleanor. It was
disinterred and reburied in a new white coffin beside her brother Edward.
But according to author Stewart
O’Nan, doubts remain. The dental charts don’t match. Eleanor was eight
years old, but the teeth of Miss 1565 are those of a much younger child.
In addition, the height and weight do notappear to match. The clothes on
the girl at the armory did not match the clothes Eleanor had been
wearing.O’nan thinks that another badly charred body, #1503, is probably
Eleanor Cook, but perhaps neither is. Currently the State Police
Forensic Science Lab is reviewing the case.
In 1994, a reunion was held in
Hartford. Over 200 people attended. Many brought their old circus
programs.
In 1997 both Mildred Cook and
Robert Segee died. His home town at the time, Columbus, Ohio, didn’t
even run an obituary. The Hartford Courant failed to note his passing.
To this day many survivors who
escaped unharmed still suffer psychological effects. They stay on the
bottom floor of hotels and nervously check where the exits are. The
sound of a fire truck can produce high emotional distress. Some are
still unable to stand inside of any tent. Others cannot bear to watch a
circus. Some say that they have memorized the detailed features of their
children’s teeth. Some still have recurrent nightmares sixty years later.
They say the memory never goes away.
An American Circus Tragedy:
The Day the Clowns Cried
The Setting
(one of one of the
original Ringling brothers). John had favored the three ring circus seen
today, but Robert reverted back to an earlier tradition that included,
in addition to the three rings, two stages and a hippodrome.
Additional problems had plagued the circus that year.
A tragic menagerie tent fire had drastically reduced the number of
animals the circus maintained. And World War II had taken a small toll
in the circus population; with some performers joining the US military
forces, and three others being taken and interred because of German or
Japanese lineage or heritage.
1944, on the other hand, had been a very good year;
with good performances and few unpleasant incidents...until July.
The Fire
World War II had been raging oversees for about five
years now, and many items (such as waterproofing and fireproofing
materials) were scarce. So, as was a common practice with many tented
circuses at the time, the 520'x220' big top had been coated with a
mixture of 18,000 pounds of parrafin and 6,000 gallons of white gasoline
(some sources say kerosene) as a waterproofing measure. Additionally,
one source claims that the laces used to connect the sidewalls were made
of a type of a hemp like material whose flammability could be compared
to that of dry kindling.
WearWillie" Kelly, Sr.) was already over, but most
agree that in those days the spec , as it is often called,
always occurred at the end of the show, not the beginning. WearWillie had been about to make a comic appearance
though, along with another clow, as the only approved activity allowed in the
ring when the Wallendas were performing.
All sources agree on the acts immediately preceding
and during the outbreak of the fire. The audience had roared with
laughter at a comic twist to the wild animal act; a man in a lion suit
cracking a whip as a group of bally girls dressed as lion tamers in
short skirts posed and performed acrobatics in mock imitation of the big
cats that would follow.
Immediately following this "wild cats" mockery, the
spectators were brought back to the edge of their seats by the real
thing. Here again, sources disagree somewhat. Tom Ogden, author of Two Hundred Years of the American Circussays the famous
Alfred Court performed that day. But the most reliable sources
disagree, saying that, although Court was listed on the program, along
with assistant animal trainers Joseph Walsh and Harry and
May Kovar, he was not even on the circus grounds on that eventful
day. Harry also did not perform that night. In actuality, audiences
thrilled to the simultaneously performed acts of May Kovar (panthers,
leopards, and pumas) and Joseph Walsh (lions, black bears, polar
bears, and great danes). In his autobiography, Clown,
Emmett Kelly Sr.'s mentions only May Kovar, in a brief
comment praising her later brave actions during the crisis.
Next, as May and Joseph set about
herding their cats through the big top chutes back to their cages, the
audience's attention was riveted on the famous Great Wallendas'
breathtaking high wire act. The Great Wallendas was a first class
act that insisted on performing without competition from the other rings,
so no other performers were in the big top at that point. But had the
fire occurred just a few minutes later, according to Emmett Kelly Sr.,
the bigtop (with its three rings, two stages, and a hippodrome oval)
would have been filled with elephants, horses, and hundreds of circus
performers; a factor which surely would have increased the tragic death
toll.
Some sources credit Master Bandleader Merle Evans as
being the first to see the tiny flame travelling up a rope seam of the
bigtop; others say it was Karl Wallenda, and that Merle, always watchful
of the acts so that he could keep the right music playing, simply saw
Karl point and looked in that direction. Whoever is right is
insignificant. Merle started the evacuation process by shouting a
warning to ringmaster Fred Bradna and immediately launching the band
into The Stars and Stripes Forever; a lively tune that was
actually a traditional signal to the circus troupe that there was a
serious problem in progress under the big top. Bradna blew his whistle
to stop the Wallendas' performance, raced out to warn the next acts (including
his wife, equestrienne Ella Bradna) not to come into the big top,
then returned to help in the evacuation of the burning tent. Emmett
Kelly Sr. records that just as the Wallendas' performing music began,
someone rushed past his dressing tent yelling "fire!", which, to quote
Emmett, is "the all-time nightmare of circus business."
Those not already in the big top, including Emmett
Kelly Sr. and other circus clownclown actually
mentioned by name in my source material), responded instantly to offer
what assistance they could, but Emmett reports that the panic had
already started and the fleeing audience made it practically impossible
for more circus personnel to get in to help. Already inside the big top,
some ushers had grabbed four buckets full of water that were always kept
handy in case of fire, and threw them one by one at the flames. Their
efforts failed and the fire travelled up the sidewall to the tent's
flammable roof. Once the fire spread to the big top's ceiling, the "waterproofing"
fed the flames and made saving the big top impossible. The Wallendas
made it to the ground with only`one member of their troupe being
slightly injured. Sources agree that the injured trouper was Helen
Wallenda, but disagree as to the injury. Some saying Helen suffered a
small burn from falling canvas and others saying she was stepped on
during the panic. Either way, all of the Wallendas escaped a
short time later by climbing on the animal chutes and exiting out of the
performers' exit. May Kovar, Joseph Walsh, and their cage boys (assistants)
stayed on, working feverishly to herd their cats into their cages. May
is the better remembered of the two; possibly because her cage was
directly under the flames. Emmett Kelly Sr. specifically praised her in
his autobiography.
"May Kovar, a British lion tamer, had been in the
big cage when the fire started, sending her animals into the delivery
chute as always at the end of the act. She knew what might happen if one
of her cats got away when the steel arena crashed, and she stayed until
the last one was out. She stuck there at her own risk like the trouper
she was and barely got out with her life."
The animals, for the most part, were actually
strangely quiet. According to their handlers they could sense death, and
this was how they reacted to it. Circus personnel rallied to help the
survivors and to keep the fire from spreading to other tents; for
example, a bucket brigade consisting of the wardrobe mistress, a
whiteface clowWearWillieClown" Sullivan says the picture spawned the
other name that the Hartford Fire is known by "The Day the ClowCried" partly as a result of a photo that ran in "The
Hartford Courant" showing Emmett Kelly carrying a water bucket trying to
help put out the fire!
Emmett, on the other hand, claimed that he picked up
the bucket unconsciously as he ran from the dressing tent to help. By
the time he reached the bigtop "there was nothing I could do with it
because the tent was burning too high from the ground, and the flame was
spreading." The big top was completely collapsed though still
burning by the time the local fire department was able to respond. At
that time, Emmett Sr. reports, all circus personnel were ordered out of
the area by the responding fire department, so were at first unaware of
the final outcome. Emmett's big shoes were smoking and blistered as he
returned to his tent to splash water on his face. It was reported at
first to them that everyone had gotten out alive, including the audience.
Sadly this was not the case, as they realized when, again to quote
Emmett Kelly Sr., "...we heard a sound that froze us all. The long,
thin wail of an ambulance siren. Another and another and another until
the air was filled with sound. We knew then. . ." Emmett Sr. left
the dressing tent for a moment at that point, and was witness to the
smell of burned flesh, and doctors, nurses, and emergency personnel
everywhere. He reported that, although the Hartford disaster teams did
their work well, it was just too much for them, and surrounding
communities were quickly asked to help out. He went back inside the tent
and told the others what he had witnessed.
The Victims
Some soldiers witnessing the tragedy later said they
had not seen anything worse even in towns being bombed in the war.
Emmett "WearWillie" Kelly Sr. would later report in his
autobiography "...always before, in circus catastrophes, the people
who died or got hurt had been mostly our own. The terrible thing about
the Hartford Fire was that the victims had been our customers, and that
so many of them were kids." He said that many of the circus
personnel suffered bruises and burns from their rescue efforts (his own
hands and face was slightly burned from sparks encountered as he tried
to help).
Some of those trapped under the burning canvas were
buried under mounds of the trampled dead and wounded; a gruesome twist
of fate that kept them alive until the fire was out and rescue was
possible. Some of these survived to tell the tale; many did not.
One man, Elliott Smith, seven years old at the time,
recalls being hopelessly buried under the bodies, facing the fire, and
spitting in a childlike effort to put it out.. Miraculously, only 167
persons (67 of them children) died (roughly 2% of those who attended);
mostly because the injuries received by being trampled in the panicked
crowd had either left them mortally wounded or at the very least had
kept them from getting out of the tent in time. Most died at the scene;
a few died later in hospitals. The last to die was a teenage girl, who
survived fire, burns, trampling, and surgery; only to die weeks later of
sepsis and related complications . There is an additional documented
casualty; one of the women who survived despite a long fall, miscarried
a little girl shortly thereafter. 487 persons were moderately to
seriously injured, but recovered from their burns and wounds.
The Unidentified Casualties
Various morgues had been set up to allow people to
search for missing loved ones and to recover their remains if possible.
Those who couldn't or weren't identified were simply assigned a number.
In the end, six of the dead, three adults and three children remained
unclaimed. When all available records and evidence was uncovered, there
were also a total of six missing persons; nevertheless, the six unknown
bodies remained unclaimed. On July 10, at public expense, a grave side
service was held in Hartford Cemetery. The grave side service was
interdenominational; a Rabbi officiated and a Catholic priest and
Protestant minister offered prayers. The unknown bodies were interred
near the place where headstones marked those missing in action in
various wars, with no names on their headstones, only their assigned
numbers. One of my sources claimed that a seventh unknown, a badly
disfigured infant, was cremated at one of the hospitals, but author
Stewart O'Nan (whose extensive research makes him the best impartial
expert on the subject today) disagrees, saying that the remains that
were cremated were not from a single victim, but bits and pieces that
would never be recognizable or accounted for.
One of the unknowns was a little girl whose death
touched the local authorities more than any other. Little Miss 1565,
as the morgue would later tag her, was only slightly burned,
but mortally injured from being trampled by the terrified crowd. She
lived long enough to be taken to a local hospital, but never regained
consciousness, and died about three hours later. For many years, two
detectives, haunted by the child's sweet face and, returned to her grave
with flowers on the anniversary of the fire right up until the years
they died.
In 1946, a woman "positively identified" Little Miss
1565 as her long lost granddaughter; and, of course, one of the adult
women was assumed to be the woman's daughter, who had run away from home
some time earlier. The story hit papers all over the country...and the
woman's real daughter called her to assure her that she and her daughter
were alive and safe. The mystery continued.
In 1983, then Hartford Chief Fire Inspector, Lt. Rick
Davey was on a quest; discover both the real cause of the fire and the
identification of Little Miss 1565. He became convinced that the
deceased girl was Eleanor Cook, who had attended the circus that day
with her mother, and two brothers. Donald Cook escaped uninjured by
ducking under the side of the tent. Mildred and Edward Cook were found
alive, but Edward died at the hospital. Mildred was hospitalized for
six months, then released. Eleanor remained missing; authorities were
sure that she was one of the unidentified, but Mildred was too
traumatized at the time to investigate, herself. Besides, two of her
sisters claimed to have seen Little Miss 1565 and were sure that
she was not Eleanor, nor could they identify her amongst the other
bodies waiting to be claimed.. Mildred, convinced that her daughter's
remains would never be found, placed a marker with Eleanor's name next
to Edward's grave; planting flowers in front of it.
In 1987, notes were anonymously tacked to the ground
with artificial flowers in front of each grave of the unknown victims;
supposedly giving the identities and descriptions of each; claiming they
were all part of a group mainly with the last name of Grahame. The
descriptions were all wrong when compared to the records (i.e. a woman's
description would be tacked on a male grave), and the notes were finally
dismissed as bogus.
Meanwhile, Lt. Davey pressed his theories, and, in
1991, Donald Cook at last met with local authorities. Comparing pictures
of Eleanor and of Little Miss 1565, all became satisfied that
they were same. The body of Little Miss 1565 was reburied where
the empty grave had stood.
But the case is still not closed; many experts,
including The Circus Fire author Stewart O'Nan, still
insist that physical evidence (i.e. dental records, the size of the body,
etc.) disputes the claim that Little Miss 1565 is Eleanor Cook.
Some theorize that she is the other unidentified little girl, whose
description was definitely a better match, and that the real Eleanor was
wrongly claimed as the body of another child; some of the tragic victims
were simply burned too badly for a positive ID, but were claimed by
grieving survivors anyway.
The story of Little Miss 1565 soon, became one
of the few stories that people not personally witnessing that tragic day
recalled. In fairness to other stories that should be remembered, I have
included a section of this page on heroes of that tragic day.
Cause of the Blaze
In 1950, DaleSegee, a man who had been
a teenage roustabout for the circus at the time of the fire, was
arrested on other arson charges, and confessed to setting the Hartford
Fire (as well as several minor fires during other performances) as a way
of relieving frustration and tension, and because a "man of fire" would
appear to him in dreams and tell him to start the fires. According to an
article I found at www.Discovery.com, he confessed to several
murders as well. He was never tried for the Hartford Fire (authorities
felt they didn't have enough evidence for a conviction), and later
recanted his confession (so the official cause on record was not changed);
but was convicted for another arson fire and served eight years in
prison. Two years after his release, he was again arrested on arson
charges. He also appears to have suffered multiple personality disorder
(he claimed to be both a white man and an Indian Shaman), and spent time
in an institution for the criminally insane.
Of course, it should also be noted that other
disgruntled circus personnel (workers, not performers) were
suspected at one time or another, but no one was ever charged.
In 1983, Lt. Davey, using the investigative
techniques available to him plus reviewing documents of the tragedy,
also concluded that arson was the only explanation, and in 1991, an FBI
panel of Federal Arson Investigators agreed with him. But again, the
courts felt that the evidence was not strong enough to convict Dale
Segee; and the cause of the fire was merely changed from "accidental" to
"suspicious."
In a strange twist of irony, arson suspect Dale Segee
and survivor Mildred Cook both died in August of 1997.
Personal Insights
As I have already mentioned,
"FYI, as a clown
Clown"
to be fascinating after having heard the city's side (about the horrible
circus that blocked exits and used kerosene and paraffin to water proof
the tents). After many years of course, it is widely accepted that the
fire was arson.
My father tells about being in the service in
Mississippi and hearing about the fire on the radio. He got worried
because his father was the type of person who might just gather a bunch
of neighborhood children together and take them to the circus. Well at
that instant there was a page..."Sgt. Shannon, report to the radio room."
His heart went to his throat and he ran there only to have his buddy who
was on duty (and couldn't leave) ask him if he could go to the PX and
get him some smokes! He said he almost killed him!
Noted Heroes of the Day
Bandmaster Merle Evans and the entire Ringling
Brothers and Barnum & Bailey Band. Not only were they the first
to signal the alarm, but they continued to play despite the fire in an
attempt to calm the panicked crowd trying to flee around both sides of
the bandstand. Only when the kettle drums burst from the heat, did they
desert the bandstand, instruments in hand. Moments later, one of the
tent poles came crashing down on the bandstand. Merle and his band
continued to play for the survivors just outside the tent. Merle
retired from circus life in 1969, but continued to perform as a guest
conductor at various private functions until his death in 1987.
The brave young animal trainer had
to fend off an impending attack of the last leopard she tried to get
into the chute. She then went outside the cage and helped her cageboys (assistants)
shoo the leopards into their cages (dealing with another problem when
two of the leopards started to fight while still in the chute). May
then ran back into the burning big top and stayed as long as she could
helping an unknown number of children climb over her animal chute that
blocked the way to freedom. Emmett Kelly Sr. said "May Kovar, a
British lion tamer,...stuck it out there like the trouper she was and
barely got out with her life." Her cage boys tried to help
the mass of humanity stacked up at the chutes as well, including fending
off attacking leopards when people slipped and put arms or legs in reach
of sharp teeth and claws. Once outside, May focused her attention
on keeping her big cats safe. In fairness I must mention that Joseph
Walsh was also struggling to get five lions out of the tent as the
fire raged nearby, but little else that I have found is said of him.
In 1949, May died almost instantly when her
neck was broken by an attacking lion during practice. She was married to
someone else by then and had left the circus, but she had not had much
success in private life and was developing another lion taming act for
the animal park at which she then worked.
Fred Bradna and the ushers The
ringmaster acted quickly to stop the performance, then ran out of the
tent to warn his wife and other performers waiting to enter the big top.
That done, Fred ran back inside and tried desperately and
heroically to calm the crowd into making an orderly exit. The ushers
were doing the same thing up in the stands. As has already been
mentioned, these efforts to calm the hysterical crowd met mostly with
absolute failure. Moments later, as the mounds of humanity piled up
against the animal chutes, Fred assisted several children in
going over the tops of the chutes to safety. Unnamed ushers
continued to try to calm the panic and to rescue as many children as
they could right up to the point when the big top's collapse was eminent.
Only then did Fred and the ushers look to their own escape.
Red Cross Volunteers and convalescing soldiers
In the audience that night was a group of
convalescing soldiers and the Red Cross volunteers that were helping
them.As the fire spread, the volunteers started to get their charges
out, but none of the group could resist helping those around them. At
least 30 children are credited as having been carried out of the burning
big top by these brave souls; and once outside, the Red Cross volunteers
had to physically restrain their wounded charges, some in slings, from
trying to go back into the fire to attempt more rescues.
Bill Curlee One of the local heroes,
Bill Curlee, got his son out, then stood on top of the northeast
animal chute and pulled an unknown number of people to safety. Bill
was a tragic hero; as he was lifting a boy over, his foot slipped
between the bars, he fell, and the crowd he had been assisting swarmed
over him. He was found alive under one of the tent poles after the big
top was consumed, but was fatally injured and was probably one of the
first to die in a hospital after the fire.
Because Bill was young and healthy, his widow
later received $15,000; the largest amount that could legally be issued
for a death. No other deceased victim's estate received that much,
although awards to the living but seriously injured were as high as
$100,000.
Thomas Barber A local detective,
Thomas was assigned to the circus beat that day, and was
instrumental in a number of rescues; one of the most unusual being a
woman who fell through the bleachers in the panic but caught her foot
and so avoided injury. She was hanging upside down about an inch from
the ground when Barber and an unnamed associate helped her get
loose and to safety. This proved to be his last rescue that day; the
heat from the flames was too much for him to go back under the big top.
Like all the other police on duty that day, he remained actively
involved in the rescue operations and in the investigation that followed.
Barber and another detective, Ed Lowe, became obsessed
with Little Miss 1546, visiting her grave and trying to discover
who she really was until their deaths. (Thomas in in 1976; Ed
some time earlier of cancer.)
Emmett "WearWillie" Kelly Sr. Many sources
cited this great clown
WearWillie and was waiting for the Wallenda Act to reach a
point when he and another clown would add a touch of humor to the final
thrill,. Suddenly, he heard someone yell, "fire!" He hoped it was
anywhere but the bigtop, but quickly saw his hopes dashed as he rushed
out of his dressing tent with a bucket of water to render what aid he
could. Emmett also tried to calm the panicked crowd, directed
them toward the exits and held the tent flap open for people to get out,
and trying, unsuccessfully it seems, to prevent people from going back
in to look for missing relatives and friends. His autobiography lists a
particular incident of a little girl who was about to go back in to look
for her mother. Emmett told her, "Listen, honey---listen to the old
clown. You go way over there to that victory garden and wait for your
mommy. She'll be along soon." The little girl did as she was told,
but Emmett never saw her again nor did he ever found out if her
mother survived. He said he dreamed about her often for a long time.
After the big top was destroyed, Emmett kept busy trying to make sure
other parts of the circus did not go up in flames (particularly the
electric generator wagons) until the Harford Fire Department arrived and
told all the circus personnel to stay out of the way. Again according to
his own autobiography, Emmett almost became part of the tragedy
at this point when a tractor operator trying to help nearly ran him down.
Hours later, the circus personnel were allowed to leave the scene to go
to trains or hotels; but all luggage, etc. was to be left in the
dressing tent. I'm sure many probably echoed EmmettSr.'s
feelings as he left the circus area; "Leaving the show grounds, I
walked past the ruins of the the big top and saw some charred shoes and
part of a clow Thus it really was "the
day the clow."
Emmett continued a successful career both in
the circus and out before dying of heart failure in 1979.
Donald Anderson Thirteen years old,
Donald was the first to think of using a knife to cut through the
sidewall to safety. Hundreds poured through the hole he had made, and
others began to take similar measures to get out of the big top.
Donald couldn't find the man he'd come to the circus with, so he cut
another hole in the canvas to get back in. He found his companion next
to a little girl who had been trampled, and picked up the girl and
exited with his companion. Donald's heroics earned him a medal
and he and May Kovar are perhaps two of the best remembered
surviving heroes of the day.
Felix Adler Sources say that this
clown was responsible for rescuing several people from the big top,
after getting his daughter and trained animals to safety.
Like Emmett Sr., Felix was devastated by the
tragedy, but continued his circus career until he retired in 1956.
Felix died in 1960.
Unnamed Heroes
Stories abound of individual rescues where the
rescuers are unnamed or unknown.
n.
This could have been a number of performers, but it is documented that
Emmett "WearWillie" Kelly, Sr., Felix Adler, Jackie LeClaire, and
Frankie Saluto were all performers for the Greatest Show on Earth
at the time.
Clow
A boy who had crawled under the bleachers for
safety after being knocked over by the crowd, found a baby close by. He
rescued the baby and reunited baby and parents.
, got
his wife and children out safely, then went back in and rescued a woman
and two more children.
Noted Villains of the Day
This section will be brief, but some cases of
inhumanity and negligence must be told.
Deacon Banchfield, the circus superintendent
of trucks and tractors, was supposed to make sure that the circus's
water trucks were next to the big top, engines running, in case of fire.
He forgot. (Emmett Kelly said in his autobiography, however, that the
water trucks were in place and working by the time he reached the tent).
Whitney Versteeg was in charge of the circus
generators and apparently about thirty fire extinguishers (although
during his testimony, he denied being in charge of most of them). If he
was truly in charge of the extinguishers, why weren't they distributed
that day; especially in the parrafin/gasoline treated tents?
The Unknown Villains
One of the survivors said that she learned that day
that people can kill each other to survive. A few examples of this type
of villainy fueled by panic were:
who couldn't wait for a teenage girl
to jump off the risers and pushed her so hard, she fell and broke her
neck,
And
Worst of all, of course, was the
The Aftermath
In addition, $3.9 million was paid in damage awards
to survivors and families of the deceased. Ringling made no attempts to
avoid any of the damages; in fact, took steps to see that all victims
were properly compensated, and the circus's profits (or at least most of
them) for the next ten years went towards these damage payments. In part
because of this absolute acknowledgement of responsibility, the
imprisoned Ringling officials were pardoned by the State of Connecticut,
and released within a year.
John Ringling North wrestled control of the circus
back from Robert Ringling the following year, and apparently was not so
kind with Robert's designated receivers who had negotiated the
settlements (i.e. he was hard pressed to pay their fees), but all
accounts say that the circus dealt fairly with the victims and survivors
of the fire. It must be noted that North did vote against the settlement,
but he was probably being vindictive to those who had pushed him out of
power the year before.
The Ringling Brothers and Barnum & Bailey Circus was
kept in Hartford until late in the month (Emmett Sr. said they were
beginning to wonder if they would ever perform in any city again), when
public outcry at the sanitary conditions caused by the animals (elephants
in particular) plus the circus managements agreement to an ongoing "settlement"
caused them to be allowed to move on.
The rest of the season was a financial disaster,
despite the fact that all performances were conducted in open areas
without a big top. There was also one other big change. The most popular
clown act up until that time had centered around a burning building,
which clown fireman attacked with hoses and buckets (sometimes filled
with confetti to throw at the audience). The fireman act appears to have
never performed again after the Hartford tragedy. A version of it can
still be seen, however in the Walt Disney animated film, Dumbo.
It took about ten years for the circus to completely
recover financially. (Accomplished in quite a large part by 1950
royalties earned from the Academy Award winning The Greatest Show on
Earth).
Several legends and myths grew from the fire
Notable among these were (1) cries of dying animals
(as already mentioned no animals died or were even injured), (2) a
story that WearWillieclown in the years following the fire), and (3) the
ghostly visions claimed to be seen at the site of the tragedy.
For example, two years later, a temporary housing
project was erected on the site of the fire. Many claimed the project
was haunted by the ghosts of those who had died in the fire. Later
another housing project, then a school were erected on the spot. Both
have similar ghost stories. (and who can say if they are true or false;
everyone will have to come to their own conclusion there.)
Those who survived the fire but were badly burned
faced years of plastic and other surgery, and some were never able to
completely recover. Most of the children who survived became celebrities
among their peers, but some had to endure endless teasing and cruelty
because of their physical afflictions.
Several lukewarm attempts were made to return to
Hartford in the coming years, but it wasn't until 1974 that the Ringling
Brothers and Barnum and Bailey Circus returned to Hartford; formerly
their favorite town. Of course by then, most of the circus principals
were gone, the Felds now owned the circus, and there was no tented big
top. In 1977, they were scheduled to appear in Hartford again, but the
show was cancelled because the roof of the building that was to house
the circus caved in because of ice and snow. Believe it or not, the
Ringling Brothers and Barnum & Bailey Circus sued the city, asking
$1,000,000 for breach of contract.
On a positive note, the Hartford tragedy caused the
military to make their fireproofing compound easily available to
civilians. Circus officials had claimed that it was not available to
them before the fire, though some evidence exists that this, or at least
another good fireproofing compound probably was available; in fact was
used by some smaller circuses. Unfortunately, common sense often comes
out of the ashes (please excuse the simile) of disasters that could have
been prevented. At any rate, steps were taken to quickly make the
military waterproofing compound available to the Ringling Brothers and
Barnum & Bailey Circus, and by 1945, all circuses had access to it.